I'm so excited to welcome Jennifer Kincheloe back for a second interview on her second installment to the Anna Blanc mystery series: The Woman in the Camphor Trunk (Amazon). (Audible)
Read my review of The Woman in the Camphor Trunk.
Read the behind the scenes interview: Why'd the Writer Do That? Ever wonder if the author meant to convey a certain mood or if a scene was based on historical fact? Find out all the secrets behind The Woman in the Camphor Trunk.
Read the behind the scenes interview: Why'd the Writer Do That? Ever wonder if the author meant to convey a certain mood or if a scene was based on historical fact? Find out all the secrets behind The Woman in the Camphor Trunk.
Read her interview on the first book in this installment The Secret Life of Anna Blanc.
Read my book review of The Secret life of Anna Blanc.
Jennifer is also giving away a copy of the audio book! Enter via Facebook! Competition runs 3/10/18-3/17/18. If you missed the giveaway, sign up for my newsletter or follow me on Facebook, Instagram & Twitter so you always know when to enter.
About Jennifer Kincheloe
Jennifer grew up in Southern California, but has traveled to such places as Nicaragua, Ethiopia, and Papua New Guinea. She's been a block layer, a nurse's aid, a fragrance model, and on the research faculty at UCLA, where she spent 11 years conducting studies to inform health policy. Jennifer currently lives in Denver, Colorado with her husband and two teenagers, two dogs, and a cat. There she conducts research on the jails.
Visit Jennifer at
www.jenniferkincheloe.com or on Twitter - Pinterest or Facebook
About The Woman in the Camphor Trunk
Los Angeles, 1908. In Chinatown, the most dangerous beat in Los Angeles, police matron Anna Blanc and her former sweetheart, Detective Joe Singer, discover the body of a white missionary woman, stuffed in a trunk in the apartment of her Chinese lover. If news about the murder gets out, there will be a violent backlash against the Chinese. Joe and Anna work to solve the crime quietly and keep the death a secret, reluctantly helped by the good-looking Mr. Jones, a prominent local leader.
Meanwhile, the kidnapping of two slave girls fuels existing tensions, leaving Chinatown poised on the verge of a bloody tong war. Joe orders Anna to stay away, but Anna is determined to solve the crime before news of the murder is leaked and Chinatown explodes.
The Interview
Set
in 1908, how did you tackle this “inbetween” time period, which
bridges the Victorian Era and the 1920s? Did
you only use research from 1908ish, or did you use info from the
larger Victorian period and or 1920s to recreate historical LA?
The
setting definitely demands research, and people don’t know a lot
about the era. It’s fun surprising them. There are a ton of primary
sources available from the period. Most of my storylines come
straight from the newspapers from 1908 (plus or minus two years).I also read marriage manuals, coroner’s textbooks, popular fiction, cookbooks, humorists, books on how to do laundry, court transcripts, police department annual reports, etiquette books, books on grooming, memoirs, diaries, eye-witness accounts all from the 1900s. If I could find it, I read it. I learned about the art and politics, studied photographs. I consulted with experts, read dissertations. I had an LA historian review the book for accuracy. In the process, I became an expert. So I didn’t need to borrow at all.
In the process, I harvested period language from primary sources wherever I could. Jupiter, that was fun. I now know that women Anna’s age would refer to a dress as a “frock,” though an older woman might call it a gown. Some slang was the same. I have Anna say “killer” meaning excellent. Some slang has changed meaning, like “dude,” which used to mean a man from the upper crust. I have an enormous, two-volume Historical Dictionary of American Slang, that I can refer to when I’m unsure when a term came into use, and how it changed over time.
What
drew you to Chinatown crime?
In
1909, in New York’s Chinatown, a 19 year-old missionary was found
murdered and stuffed in a trunk in Chinatown. I stole the storyline
down to the details. I won’t tell you more about what really
happen, because it’s really mirrored in the book and I don’t want
to spoil it for you.
Any
other history behind the story?
Yes.
Two Chinese slave girls were stolen and it almost started a tong war
in LA. The LAPD were hunting the girls to return them to their owner
and collect a $1,000 reward. I thought that was so shocking, I had to
write about it. Slavery was alive and well in LA in 1908.
You
based Anna Blanc on a real historical figure (link to first
interview), but in the author’s note of the Woman in the Camphor
Trunk, you mentioned that after the first book released, you learned
that there was another historical figure similar to Anna Blanc. Can
you tell us about this other woman and how you learned about her?
I
was inspired to write the book by Alice Stebbins Wells, who became
the first female cop in LA in 1910. But Anna Blanc wrote herself, and
she didn’t resemble Alice Stebbins Wells at all. Anna’s single,
young, beautiful, and the daughter of one of the wealthiest men in
California. Alice was 37, average-looking, married, and middleclass.
I felt like I was taking liberties with history, which I try not to
do. Then I learned about Fanny Bixby, who in 1908 became a cop in
Long Beach, very near LA. She was single, young, beautiful, and the
daughter of one of the wealthiest men in California. The storyline
for my third novel, which isn’t out yet, is inspired by events in
Fanny’s life.
How
are the Anna Blanc mysteries unique in the genre of crime
mystery/female sleuth?
Did
you try to stick close to genre conventions or stand out?
I’ve
heard many readers say that THE SECRET LIFE OF ANNA BLANC was a book
that “had never been written before.” It’s not really like any
other series. The first book was my “practice book.” I didn’t
think anyone would ever read it, so I just wrote what I would like to
read.
What
new challenges did you face when writing the second book in
comparison to the first?
The
sophomore novel is notoriously difficult. I agonized over the story.
You fear you can’t repeat your success. But THE WOMAN IN THE
CAMPHOR TRUNK was just nominated for a Lefty Award for historical
mystery, and some people like it better than book one.
You
acquired your agent and publisher with the first Anna Blanc book The
Secret Life of Anna Blanc, what was it like to write the second book
on contract?
Luckily,
I didn’t have a contract for book two when I was struggling with
it. Because the series is unusual, I think my publisher wanted to see
how book one did first. I sold book two after I’d finished and got
a two-book deal. I’m writing book three on contract, and it adds
additional pressure.
How
were your agent/editor involved with the creation process if at all?
My
agent’s assistant read it and gave me the thumbs up—no changes.
But I had a lot of beta readers.
How
have you approached the marketing process the second time around?
I
have less time for marketing because I’ve been conducting research
on the jails in Denver. But I still tweet on weekends, post on
Facebook, and do readings in the region. For book one, I did a three
week book tour, but I just don’t have the time now.
In
one or two sentences, what advice (artistic & professional) do
you have for writers who:
Are
just starting out?
Get
in your 10,000 hours of writing, because that’s what it takes. Even
though THE SECRET LIFE OF ANNA BLANC was my first novel, I rewrote it
100 times. Also, read books on craft.
Have
just broken in?
Write
for yourself. Publishing is a brutal business. Keep your eye on the
prize—not sales, not awards, but writing for the joy of it.
0 comments:
Post a Comment
I love your comments and questions so ask away! They won't appear right away as I have to approve them first, but I will get on it ASAP!